When tradition e technology if cross in the art
We live a time fascinating: never was so easy create, share e reinvent a art. E, in that scenery of so many transformations, two worlds apparently opposites continue a us surprise - o of art digital e o of handicrafts traditional.
How journalist e observant attentive of changes cultural (beyond of someone that love it create with the hands e o heart), see these two languages artistic no as rivals, but as expressions complementary of a same essence: a need human of if express.
O that define a art digital?
Innovation that fits in the palm of hand
A art digital é o fruit of a was technology in expansion. Here, the brushes are replaced by stylus, the notebooks by tablets, e o atelier can be any singing of home. With software sophisticated e a good dose of creativity, artists draw, modelling, animate e create universes integers - of hyper-realism à abstraction futuristic.
A large strength of art digital is precisely in the its versatility. Her allows draft e redo, create in layers, play with colours infinite e share with o world in seconds.
O value of handicrafts traditional
O touch human that no if loses in time
By another side, o handicrafts traditional carry a beauty that comes of management. They are hands that mould, sew, weave, carve. They are knowledge past between generations, stories embroidered in fabrics, recorded in wood or intertwined in fibres natural.
É impossible talk of handicrafts without talk of identity cultural. Each piece made à hand carry o rhythm of who a created, a culture of a people, o silence attentive of process manual. E that has a value that none technology replaces.
How a art digital e o handicrafts traditional if influence
O meeting between o ancestral e o future
If before the two worlds seemed distant, today there is bridges between them. Craftsmen have used printers 3D to create moulds personalised. Standards digital serve of base to tapestries. E there is who design parts in computer to then executelas manually, blending precision technology with heat human.
This fusion enlarges horizons e invites à experimentation. After all, innovation e tradition can (e should) walk joints.
A experience sensory e the new senses
Between o touch e o immersive
Who already held a ceramics newlyoutput of oven or passed the fingers by a fabric handmade you know: there is a poetry in touch. O handicrafts offers a experience complete - visual, tactile, to times until olfactory.
Now a art digital, really immaterial, advances to new shapes of presence. A reality virtual, by example, already allows visits a galleries digital e until interactions sensory. To few, her if approach of involvement physical that before was exclusive of made à hand.
A art more accessible, to more people
A democratisation of creation
A art digital has o merit of open doors. Her eliminates barriers materials - role, ink, tools - e invites any person with a computer or mobile phone a create. That's it mute everything. Enlarge voices, decentralises o access e makes a art something more next of routine.
To really time, o handicrafts continues a be a shape of expression accessible, above all in communities where o digital yet no has arrived. In both the cases, a art é bridge. É shape of communicate, teaching, resist e dream.
More of that choose, é precise add up
One invitation à coexistence creative
No if treats of choose between art digital e handicrafts traditional. Treatif of recognise o value unique of each a - e of celebrate a diversity that they bring to world of creation.
Whilst a art digital points out to o future e expands the borders of possible, o handicrafts traditional anchor-if in the memory, in the history e in the sensoriality that us connect to present.
E, if there is something that I learnt in these years as journalist e mum é that a art, in any form, é always a mode of care. With o other, with o time e with that that we feel.
